“…an innovative duet…full of intimate, unexpected gestures”
Jennifer de Poyen, The San Diego Union-Tribune
For Intercourse

“…a beautiful duet, tender and curious…complex images of doubt, insecurity and fear which run through them likes the tides that are a part of love.”
Deborah Jowitt, The Village Voice (2004)
For Intercourse

“…an original, engaging thinker who relishes questions and distrusts pat answers.”
Eva Yaa Asantewaa, The Village Voice (2002)
For self-produced concert at WAX

“And Karl Anderson proved that movement with an inward focus – in this case slow hip-hop-style acrobatics and reclines – can be as powerful as showoff razzmatazz…“
Jennifer Dunning, The New York Times (2002)
For Embracing Nothingness

“Mr. Anderson’s fantasies were especially vivid.”
Jack Anderson, The New York Times (1999)
For Public Showing

“Powerfully theatrical and heavily scripted…engaging, funny, and terrifying…”
Elizabeth Zimmer, The Village Voice (1998)
For Weaving Through The Grid

“Both his words and his gestures were expertly timed.”
Jack Anderson, The New York Times (1998)
For Weaving Through The Grid

“His second piece, Duet with bear, was a stunner.”
Graham Hicks, The Edmonton Sun (1989)
For Duet with bear

“Duet with bear, Anderson’s second piece was, if possible, even more riveting.”
Elizabeth Beachamp, Dance Connection (1989)
For Duet with bear

“With terrific precision and strength, they chase each other through two duets. The second of these escalates the first one’s falls and dive-overs into daring lifts and catches.”
Deborah Jowitt, The Village Voice (1988)
For Potassium Depletion